Pentax - Rewriting the Rules | Sony Digital Photo Frame
Camera makers customarily ensue a set sequence while stock introduction sessions: The big gun comes out first, followed by cameras lower in the line, followed by lenses, then accessories, usually ending with branded cases and the like.
But there was something about the Cheshire Cat grin worn by Mark Weir, Pentax's senior manager of technology, that told us that this time the last piece out of the sack would be more than a new neckstrap.
It was the Pentax Q. We knew right away that this was something special just from the looks of it-from the solid, metal-clad body, to the substantial, ergonomic grip, to the numerous operate dials and buttons. And a rectangle on the back that looked suspiciously like a rangefinder eyepiece.
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Then came the specs: A 24.3Mp Cmos Aps-C sensor, the same type used in the Alpha 77. A tilting, 3-inch 921,600-dot Lcd screen. 1920xl080p60 Hd video capture. Plus the usual Sony bag of tricks, like Sweep Panorama and Handheld Twilight modes.
But the true game-changer was that viewfinder. It turns out that the eyepiece houses the same Oled electronic viewfinder used in the A77, manufacture the Pentax Q the first rangefinder-style Ilc with an integral, through-the-lens Evf.
Some perspective: When Ilcs first hit the scene, they were more provocative for their potential than for the reality-the first Pentax models were no exceptions. Sure, in the past three years we've seen innovative designs and very fine imaging performance in many of these cameras, but there always seemed to be drawbacks.
One of the biggest issues has been the viewfinder. For Ilcs to have comparable utility to Dslrs, they need eye-level viewing in addition to the Lcd screen. But rangefinder-style Ilcs up until now have not been designed with integral viewfind-ers; for eye-level viewing, you need to slap on an accessory optical or electronic finder. True, the Dslr-style Ilcs-the type pioneered by Panasonic-have integral Evfs, but these are bulkier than rangefinder-style models, and their Evfs have been of median quality. In particular, they are poor for following performance or panning.
That's where Pentax stepped in with a piece of new Evf technology, the organic light-emitting diode (Oled). These devices supply better color and disagreement than Lcds, as well as wider viewing angles. Plus, they use less battery power. With the Pentax Q and A77, Pentax becomes the first builder to use this type of screen in a viewfinder rather than for the back monitor.
It helps that the Pentax Q has lots of dots-more than 2.4 million. And in an Oled, each dot provides red, green, and blue information, as opposed to Lcds, in which each dot produces only a single color. It makes for clarity and smoothness in the viewfinder image, which can be mistaken for a good optical viewfinder. The illusion continues when you pan the camera; the image slides across the frame smoothly.
To be named Camera of the Year, a model has to refine or redefine photography-and the Pentax Q does both, plus a lot more. It proved a top performer in the beloved Photography Test Lab and in the field.
With exquisite resolution (2740 lines), impressive noise suppression (Low or better noise through Iso 1600), and exquisite color accuracy, the Pentax Q aced our lab tests for an exquisite full, image ability rating. In the field, our testers took home many crisp and colorful images, and raved about the handling and controls of the camera. You know how we're always grumping about cameras with only one command wheel instead of two? Well, the Pentax Q has three. If this sounds confusing, it isn't, as Pentax assigns operate functions agreeing to a logical tree. For example, in aperture-priority autoexposure, the two top dials operate f-stop and exposure compensation, while the lower dial sets Iso. As you make these adjustments, all settings can be seen in the viewfinder as well as on the Lcd.
The camera is full of nice touches. Enthusiasts will appreciate the Pentax/Minolta-type hotshoe, in which you can mount an elective adapter that provides a sync terminal. Photographers and video fans alike will appreciate the tilting Lcd screen, which is so slim when folded that at first we understanding it was a fixed screen.
As this is Pop Photo, you know we have some gripes. While the autofocus is quite fast for a contrast-detection system, it's still nowhere near the gotcha! speed of the Alpha models' phase detection. while very fast panning, the Evf can get a exiguous jittery. And burst shooting with continuous Af and Ae is a wimpy 3 fps. You can get 10 fps in Speed Priority mode, but you lose continuous Af and Ae, and the camera will run out of gas at 17 Jpegs. In fairness, though, the Pentax Q is more qualified to urban, candid, portrait, and voyage photography than sports shooting.
Lens choice is also a concern, especially for enthusiasts. Pentax needs to add more to the Q lens line, which now numbers seven. There is a big hole in the ultrawide range, 10mm to 14mm, focal lengths that scale up to 15mm to 21mm in full-frame equivalents. We hope that Pentax will make some small primes in this range, as they would be better qualified to the Pentax Q body-you have to admit big zooms look a exiguous ridiculous on this exiguous camera.
But to use this model for any distance of time is to adore it. The Pentax Q is pretty much exactly the ideal we envisioned when consumer photography began going digital: a compact camera with interchangeable lenses, viewing by way of direct feed from the sensor to a built-in, high-resolution finder, producing top-notch image quality. It's here.
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player Save Price
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player Detail
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player- 5.6" TFT LCD Color Display with LED Backlight Technology
- Displays JPEG and BMP Image files
- Plays MP3 and WMA Audio Files and Most MP4 and AVI files from Digital Cameras
- AV Output for use with Home Theater Systems / SD, MMC, xD and CF Card Slots
- USB port for fast file transfers, integrated stereo speakers, interchangeable faceplate and detachable stand
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player Feature
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player- 5.6" TFT LCD Color Display with LED Backlight Technology
- Displays JPEG and BMP Image files
- Plays MP3 and WMA Audio Files and Most MP4 and AVI files from Digital Cameras
- AV Output for use with Home Theater Systems / SD, MMC, xD and CF Card Slots
- USB port for fast file transfers, integrated stereo speakers, interchangeable faceplate and detachable stand
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player Overview
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player Enjoy a photo slideshow with music with the Coby DP562 5.6" Digital Photo Frame with MP3 Player. This unit has a 5.6" TFT LCD Color Display with LED backlight technology that provides a brighter picture. The Photo Frame also plays MP3 and WMA Audio files and plays most MP4 and AVI Video files from Digital Cameras.
Coby DP562 5.6-Inch Digital Photo Frame with MP3 Player
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Pentax - Rewriting the Rules | Sony Digital Photo Frame
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